本刊特稿

福荫所及 不独当代――赞典藏精品唱片《好歌珍藏――歌声献礼十八大》　仲呈祥 冯亚

理论建设

创新、价值理性与音乐学理论资源――普通高等教育“十一五”规划教材《音乐传播学理论教程》解读　曾遂今

传媒音乐教育

拓展学术研究空间 催生音乐传播创见――中国传媒大学2011、2012届音乐学博士学位论文综述　本刊编辑部
广西艺术学院音乐传播应用型人才培养模式探索　马栋梁

中国校园音乐文化建设

北京市普通高等学校交响乐团现状调查分析　程超

音乐文化交流与传播

从历史文化视角看中国“世界音乐”观的演变　俞人豪
作曲家齐尔品与中国音乐的传播实践　钟卓文

广播电视音乐论坛

从《超级女声》到《中国好声音》――中国电视声乐选秀个案剖析　郭建民 刘靖华
由《中国好声音》引发的音乐传播思考　汪月波

音乐期刊研究

20世纪30年代《歌星画报》的场域建构与话语实践　张谦
中国大陆音乐期刊的乐谱传播概览　韦杰

音乐科技与创作

乐器分类的新思维――元素分类法　付晓东

网络音乐透视

我国音乐网络论坛发展现状及主要功能分析　陈�
从草根到偶像：中国网络歌手十年盘点　冯文双
对当代网络音乐受众的观察与思考　蒋�

传统音乐文化传播研究

从河南马街书会看民间曲艺活动的“上移式扩展”　马志飞

影视音乐研究

世界民族音乐元素在汉斯・季默电影音乐中的运用　郭好为

社会音乐文化建设

现代音乐审美文化解读及其传播与功能实现――基于北京“乐文化沙龙”的考察与分析　丁旭东
社会学视角下的中国大陆当代音乐比赛研究　孙丽雯

国际学术视界

开放式音乐模式　［加拿大］舒曼・高斯曼詹德 / 张鹏飞编译
电影音乐的属性与表达方式　［英］大卫・梅钦 / 殷玉环编译

Main Contents

Good Fortune Benefits not Only One Generation: Appreciating CD“Classic Songs Collections”【Zhong Cheng-xiang; Feng Ya】
Innovation, Value Rationality, and Theoretical Resources of Musicology: Interpretation of A Course in Music Communication Theory Which Is One of the State-planned Textbooks forRegular Higher Education in the “Eleventh Five-year Plan”【Zeng Sui-jin】
Expanding Academic Research Space and Generating Creative Ideas about Music Communication: Review of the Doctoral Dissertations Submitted by 2011 & 2012 Ph.D. Graduates Majoring in Musicology in Communication University of China【Editorial Department of “Music Communication”】
Exploring the Training Mode of Applied Talents of Music Communication in Guangxi Arts Institute 【Ma Dong-liang】
Investigation and Analysis of the Present Situation of Symphony Orchestras in Colleges and Universities in Beijing 【Cheng Chao】
The Evolution of “World Music” View in China from the Historical and Cultural Perspective【Yu Ren-hao】
The Composer Alexander Nikolayevich Tcherepnin and His Communication Practice of Chinese Music
【Zhong Zhuo-wen】
From “Super Girl” to “The Voice of China”: Analysis of Specific Cases in Chinese TV Vocal Music Show 【Guo Jian-min; Liu Jing-hua】
Thoughts on Music Communication Triggered by the TV Programme “The Voice of China”【Wang Yue-bo】
The Field Construction and Discourse Practice of Gexing Huabao （Singer Pictorial ） in the 1930s
【Zhang Qian】
Overview of the Dissemination of Music Scores in Music Periodicals in Mainland China 【Wei Jie】
A New Thinking of Musical Instrument Classification: Elementary Classification 【Fu Xiao-dong】
Development Status and Function Analysis of Music Forums on the Internet in China 【Chen Yue】
From Grassroots to Idols: A Ten-Year Review of Network Singers in China 【Feng Wen-shuang】
Observation and Reflection of Network Music Audience in the Contemporary Era 【Jiang Jie】
On “The Upward Extension” of Folk Music Activities as Is Reflected in Majie Folk Story-telling Fair 【Ma Zhi-fei】
The Application of World Folk Music Elements in Hans Zimmer’s Film Scores 【Guo Hao-wei】
Interpretation of Modern Music Aesthetic Culture and Its Communication & Function Realization: Based on the Investigation and Analysis of Beijing“Music Culture Salon”【Ding Xu-dong 】
Research on Contemporary Music Competitions in Mainland China from the Perspective of Sociology
【Sun Li-wen】