本刊特稿

导向为魂，内容为王――关于中国传播能力建设的思考　仲呈祥
开拓崭新领域 走向科学前沿　“全国音乐传播论文征集活动”组委会秘书处

传统音乐文化传播研究

伊斯兰音乐传播对变体燕乐音阶的若干影响　李宏锋
湖南炎陵客家民间音乐的传承与传播策略研究　尹学毅
以乐为本 诗乐一体　张锋
广西平果壮族嘹歌歌书的传播形态研究　李常新

社会音乐文化建设

网络音乐传播中的审美现象研究　袁茜
论在音乐传播研究中借鉴并发展“议程设置”理论　魏晓凡
音乐生活中的“精神困境”　陈丽萍
当代青少年音乐审美判断力形成的有效路径　杜心格

音乐文化产业

音乐文化创意的释义与内涵　赵志奇
南宁市琴行音乐文化产业调查与分析　李奇龙

流行音乐文化

浅析中国当代流行歌曲歌词的诗意美　王晓云
手机KTV“唱吧”的音乐传播观察　蒋河
MV创作者的社会身份及创作心理解读　赵波

影视音乐研究

从“表演”走向“叙事”的音乐　刘亭
左翼电影歌曲的传播价值　宫林林
论琵琶元素在中国电影音乐中的运用及表现功能　许雁妮

音乐文化交流与传播

中国民族音乐在国际上传播的现状述评　施咏
清代末期粤剧的海外传播及其意义　周东颖

音乐传播观察论坛

关于歌曲传播中的审美正气　曾遂今
从MV内容看当下流行音乐“包装”的表现尺度　于清靓
关于MV影像中歌手过度“情感释放”的思考　王宇
谈国内音乐剧演出市场存在的问题与发展建议　杨青、李典
广东音乐资源的挖掘整理与传承　王培�

彩　页

国际艺术教育联合会2014年中国艺术教育高峰论坛掠影

Main Contents

To Take Leading as Soul and Content as Essence: Thinking on the Construction of Chinese Communication Capability【Zhong Chengxiang】
The Influence of Islamic Music’s Dissemination on Variant Yanyue-Scales【Li Hongfeng】
A Research on the Inheritance and Communication Tactics of Hakka Traditional Music in Yanling of Hunan Province【Yin Xueyi】
Being Music-orientated and Poem & Music Integrated: Also on the Biased Error in the Article “Being Music-oriented” Is False Proposition【Zhang Feng】
A Research on the Communication Forms of Liaoge’s Written Notation of Zhuang People in Pingguo of Guangxi Province【Li Changxin】
A Research on the Esthetic Phenomena in Online Music Communication【Yuan Qian】
A Discussion on Borrowing and Developing Agenda-Setting Theory in
Music Communication Research【Wei Xiaofan】
The Spiritual Dilemma in Music Life: An Investigation of Present Situation of Rural Migrant Workers’ Music Life【Chen Liping】
Effective Paths for the Formation of Teenagers’ Music Esthetic Sense【Du Xin’ge】
Interpretation and Connotation of Music Cultural Creativity: An Academic Analysis Based on the Context of Cultural Creativity【Zhao Zhiqi】
Investigation and Analysis on Music Culture Business of Musical Instrument Stores in
Nanning City【Li Qilong】
An Initial Analysis on the Poetic Beauty of Chinese Contemporary
Popular Songs’ Lyrics【Wang Xiaoyun】
An Observation of “KTV Singing Bar” on Cell-phone under
the Perspective of Music Communication【Jiang He】
An Interpretation of Social Identity and Composing Psychology of MV Producers【Zhao Bo】
The Music from Performance to Narration: Derivation and Returning of
American Musical Films【Liu Ting】
The Communication Significance of Songs in Left-wing Movies Gong Linlin】
The Application and Expressive Functions of Pipa in Chinese Movie Music【Xu Yan’ni】
A Commentary Review on the Current Condition of International Communication of Chinese Traditional Music: Taking Confucius Institute and the Golden Hall of Vienna as Examples【Shi Yong】
The Oversea Diffusing of Yue-Ju （Cantonese Opera） in the Late Qing Dynasty and
Its Significance【Zhou Dongying】
On the Healthy Atmosphere of Esthetics in Songs’ Communication【Zeng Suijin】
Observing the Expression Measure of Popular Music’s Commercial Adorning from
MV Content【Yu Qingliang】
Thinking on Excessive “Emotional Release” of Singers in MV【Wang Yu】
Problems in Domestic Musicals’ Performance Market and Suggestions on
the Future Development【Yang Qing; Li Dian】
Collecting, Organizing and Inheriting of “Guangdong Music” Resources【Wang Peiji】