编委名单
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评艺一生 造福于民――关于中国传播能力建设的思考 仲呈祥
中国民族音乐的文化自觉与价值引领（专访中国音乐学院院长赵塔里木教授） 本刊编辑部
艺术的生命力来自人民（专访人民音乐家马可之女马海星教授） 本刊编辑部
《音乐研究》在新世纪的办刊之路――兼及音乐学刊的现时发展问题 陈荃有
当代音乐理论期刊出版问题探讨 聂会佳
中国流行音乐演唱风格研究的前期理论思考 王□
中国留美学生与音乐期刊、音乐社团――20世纪上半叶的“新音乐”文化建设 何洪禄
中国户外流行音乐节的文化特征解读 张笑梅
音乐表演商品的社会价值 蒋�
关于大众音乐文化中的“雅俗”辨析 艾和
论音乐编辑的综合素质 刘德金、刘稀溪
好莱坞电影音乐分析方法 汪月波
琵琶传入中原对唐代音乐的影响与琵琶音乐文化丛结 李丽敏
20世纪30年代广州的戏院、茶楼和民间乐社――粤剧、粤曲、粤乐在广州的传播研究 居地希
河南南阳的历史地域、商贸特点与戏曲艺术传播――以汉调二黄为例 赵君
常州传统音乐的传播、传承与发展策略 李凌燕
中山大学公共音乐课程与校园歌手大赛 陈颖
高校通识教育中的音乐人文传播――以华南理工大学通识课“影视音乐赏析”为例 刘畅
21世纪音乐节奏研究的新动向 ［美］贾斯丁・伦敦 / 谢文辉 编译
关于电视音乐节目与原创音乐发展关系的思考 邹佳辰
选秀节目与原创音乐的“中外结合”创新之路 何蒙青
国内电视音乐选秀节目的特点及利弊 王宇
粤剧的电视栏目传播及其音乐技术因素 包振锴
人民音乐家马可作品音乐会掠影
北京童心合唱团活动图录：岁月虽飘去 童心仍坚持
A Life of Art Criticism and Dedicating to People’s Benefits: A Speech on the Inaugural Conference of China Literary and Art Critics Association 【Zhong Chengxiang】
Cultural Self-consciousness and Value’s Leading of Chinese Traditional Music: An Interview of Professor Zhao Talimu, the Famous Music Educator, Ethnomusicologist and President of China Conservatory of Music【Editorial Department of Music Communication】
The Vitality of Art Comes from the People: An Interview of Professor Ma Haixing, the Daughter of Musician Ma Ke and the Former Vice Head of the Composition Department of China Conservatory of Music【Editorial Department of Music Communication】
The Running Path of Music Research in the New Century: Also on the Problems in the Present Development of Music Journals 【Chen Quanyou】
An Exploration on Issues about Contemporary Publication of Academic Music Periodicals 【Nie Huijia】
A Preliminary Thinking on the Study of Singing Styles of Chinese Popular Music 【Wang Wei】
Chinese Students Studying in the United States and Music Periodicals and Societies: The Construction of “New Music” Culture during the First Half of the 20th Century 【He Honglu】
An Interpretation of Cultural Features of Outdoor Popular Music Festivals in China 【Zhang Xiaomei】
Social Values of Music Performance Commodities 【Jiang Jie】
Differentiating and Analysis on the “Refined & Popular” in Masses Music Culture 【Ai He】
On the Comprehensive Quality of Music Editors 【Liu Dejin; Liu Xixi】
Analysis Methods of Hollywood Movies’ Music 【Wang Yuebo】
The Influence of Pipa’s Introducing into Central Plains on the Music of Tang Dynasty and the Pipa Music Culture Complex 【Li Limin】
Theatres, Tea Houses and Folk Music Clubs in Guangzhou during the 1930s: A Study on the Communication of Cantonese Operas, Tunes and Music in Guangzhou 【Ju Dixi】
Features of Historical District and Trade of Nanyang in He’nan Province and Its Traditional Operas Communication: Taking Erhuang in Handiao as an Example 【Zhao Jun】
Tactics of Communication, Passing on and Development of Traditional Music in
Changzhou 【Li Lingyan】
Common Music Courses and Campus Singer Competitions in Sun Yat-sen University 【Chen Ying】
The Music Humanity Communication in University General Education: Taking the General Course“Appreciation of Film and Television Music” in South China University of Technology as an Example 【Liu Chang】
The Postmodern Esthetic Features of 4’33” and the Responding from the East 【Ouyang Pingfang】
The Study of Musical Rhythm in the 21st Century 【Justin London （ed. and trans.: Xie Wenhui）】
Thinking the Relationship Between TV Music Programs and the Development of
Original Music 【Zou Jiachen】
“The Combination of Chinese and Foreign” Innovation Path of TV Talent Shows and
Original Music 【He Mengqing】
Features, Advantages and Disadvantages of Internal TV Music Talent Shows 【Wang Yu】
On the Communication of Cantonese Opera in TV Columns that Affected by
Musical Audio Techniques 【Bao Zhenkai】
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