本刊特稿

理论指南 实践准则――学习习近平《在中国文联十大、中国作协九大开幕式上的讲话》笔记　　仲呈祥

校园音乐文化建设

中国民族音乐在普通高等院校的普及与传承方式思考　王建
当代高校音乐艺术教育面临的挑战与对策――从“神曲”的泛滥谈起　邹静

传统音乐文化传播研究

“昆曲”和“昆剧”的名义考辨及相关传播问题　王浩
金城江壮族山歌传承体系的多维整合建构　林慧思
《声无哀乐论》的典型命题及其音乐社会学意义　刘元平
湖北秭归音乐类非物质文化遗产保护现状　袁�
“非遗”时代传统古筝艺术的保护与传承　韩建勇
《瑶族舞曲》的传播与接受美学解读　张诗怡
广西田林县北路壮剧传承工作现状观察　张迎春

社会音乐文化建设

现代中国音乐作品中的革命传统叙事――历史语境的创造、叙述与超越　李亚祺
我国当代公益性歌曲现状发展思考与评价　祁修雯

网络音乐透视

网络音乐服务产业在欧美的生态模式与发展趋势 　唐硕、俞锫
网络乐评的“话语暴力”：成因、影响及引导、净化　刘家懋

广播电视音乐论坛

北京卫视《传承者》节目的成功之道――以音乐文化内容为例　苏翔
单一类型音乐综艺节目制作策略――以韩国“嘻哈”音乐节目《Show Me the Money》为例　马�文

音乐编辑出版研究

音乐期刊的乐谱传播对音乐生产的推动　韦杰
结构化文本格式MusicXML对音乐编辑出版思维的影响　曹军军、姜红

流行音乐文化

对崔健的摇滚乐创作的思考　黄桂瑜
国产游戏音乐的“古典”风格特征及其影响　王鑫华
中国流行歌曲传播中的性别隐喻与“错位”　肖婵

音乐传播观察论坛

经济视域下的城市音乐产业化思考　宋迪
动态色彩与音乐情感表达的互动关系　朱晨阳
作为“非遗”的陕南民歌的传承　王�
从摇滚乐看音乐文化的原真性特质――自凯尔・凯特利《重探摇滚》说起　孔嘉玲

国际学术视界

音乐、美术跨媒介相似性测试及其学术启示　［美］阿曼达・凯瑟琳・杜希 / 王兴宇编译

彩　页

第五届全国乐器学研讨会
中国传统音乐文化传播系列图片鉴思录（五）

Main Contents

Guidance on Theory and Criterion for Practice: Note of Learning Xi Jinping’s Remarks at the Opening Ceremony of the Tenth Congress of the China Federation of Literary and Art Circles and the Ninth Conference of the Chinese Writers Association【Zhong Chengxiang】
Reflections on Ways to Popularize and Inherit Chinese National Music in Institutions of Higher Education【Wang Jian】
Challenges to Contemporary Education of Music Art in Universities and the Countermeasures: To Start with the Overflowing of “Divine Tunes”【Zou Jing】
Textual Research on the Naming and Meaning of “Kun Qu” and “Kun Ju” and Relevant Issues about Their Communication【Wang Hao】
Multi-mention Integrating Construction of Mountain Songs’ Inheritance System of Zhuang Minority in Jinchengjiang 【Lin Huisi】
The Nature of Typical Proposition of Sheng Wu Ai Le Lun and Its Significance of Musical Sociology【Liu Yuanping】
Present State of Intangible Cultural Heritage’s Protection in Zigui of Hubei Province【Yuan Yue】
Protection and Inheritance of Zheng Art in the Time of Intangible Cultural Heritage Protection 【Han Jianyong】
The Communication of Yaozu Wuqu and the Interpretation from the Perspective of Reception Aesthetics【Zhang Shiyi】
Study on the Inheritance of Beilu school of Zhuang Drama in Tianlin County of Guangxi Province【Zhang Yingchun】
Narrative of Revolution Tradition in Contemporary Chinese Music Compositions: Creation, Narrative and Transcendence of Historical Context 【Li Yaqi】
Thinking and Criticism on Current Development Situation of Chinese Contemporary Public Welfare Songs【Qi Xiuwen】
Ecology Mode and Development Trend of Internet Music Service Industry in Europe and the USA【Tang Shuo； Yu Pei】
Research of Language Violence in Online Music Criticism 【Liu Jiamao】
To Research the Avenue to Success of the BTV’s Program “Chuan Cheng Zhe” from Its Music Content【Su Xiang】
Production Tactics of Single-typed Music Variety Shows: Taking the Korean Program of Hiphop Show Me the Money for Example 【Ma Zhewen】
The Impulse of Score’s Communication by Music Periodicals on Music Production 【Wei Jie】
The Influence of Structuralized Text Format MusicXML on the Thinking of Music Editing and Publishing【Cao Junjun； Jiang Hong】
The Composing Style of Rock and Roll by Cui Jian 【Huang Guiyu】
The “Classical” Style of Domestic Game Music and its Influence 【Wang Xinhua】
Metaphor and “Mismatch” of Gender in Chinese Popular Songs 【Xiao Chan】
Research of Industrialization of Urban Music from the Horizon of Economics 【Song Di】
Interactive Relationship between Dynamic Colors and the Emotional Expression of Music 【Zhu Chenyang】
The Inheritance of the Southern Shaanxi Folk Songs as Intangible Cultural Heritage【Wang Yang】
The Nature of Authenticity of Music Culture Viewing from Rock and Roll: To Start with Reconsidering Rock by Keir Keightley 【Kong Jialing】
Test on the Similarity Between Music and Fine Art on Cross-mediafeature and Its Academic Enlightenment【Amanda Catherine Duthie （trans. and ed.: Wang Xingyu）】