本刊特稿

文化自信与文化引领――在第十二届全国艺术院校院（校）长高峰论坛上的讲话 　仲呈祥

传统音乐文化传播研究

道家音乐思想与文人琴乐　王建
论维吾尔木卡姆的当代传播形态　王建朝、单晓杰
山西省河东“盐文化”对本地音乐文化的影响　赵婷
湖南衡山皮影戏及其音乐传承　肖艳
魏晋琴曲的美学意蕴　夏娱
CCTV戏曲频道《跟我学》的发展建议与戏曲知识类电视栏目的前景展望　李怡洁

社会音乐文化建设

南北并举：清末“徐海水灾”筹赈中的慈善义演　 郭常英、蒋泽航
论以人文精神引领音乐美学和音乐传播　林平

音乐编辑出版研究

关于音乐学术期刊与科研共同发展的思考――从《乐府新声》2016年载文情况说起　姜楠
音乐编辑出版研究 我国音乐期刊在各历史时期的传播特征　韦杰

传媒音乐教育

电影《百鸟朝凤》中的技艺传承对现代民族管乐教学的启示　姜玲
对“影视音乐编辑”课程的教学与考核探索――以在中国传媒大学的实践为例　刘晓飞

流行音乐文化

谈二胡曲元素在流行音乐创作中的运用――以《江河水》与《赛马》为例　施咏
我国流行音乐的传播及“传统与现代的融合”趋势　杨琛
翁清溪的流行歌曲创作特征及影响　孙勇丹、郭鹏

校园音乐文化建设

地方高校民歌合唱教学探索与经验――以山西大学山西民歌合唱团为例　汪盛
高职院校学生艺术团体建设的现状、思路与对策　邹静

音乐科技与创作

对当前多媒体电子音乐创作问题的思考　张效恩
论交互电子音乐的概念、源流和特点　薛燕

音乐文化产业

音乐文化产业领域中的众筹模式概述　卢丽华
当代互联网“微博”中的音乐传播现象观察　刘家懋

音乐传播观察论坛

音乐的民族性与世界性刍议　匡雅歌
新媒体环境下流行音乐传播的机遇和挑战　任增吉
公共音乐艺术的内涵、形式与趋势　刘语频
音像出版产业模式的突破――以中国文联音像出版公司全媒体试点为例　曹军军
流行音乐符号的能指、所指与意指的构成关系　王�
流媒体环境下流行音乐的传播特征　谢海潮

彩　页

中国传统音乐文化传播系列图片鉴思录（八）
中国传统音乐文化传播系列图片鉴思录（九）

Main Contents

Cultural Self-confidence and Cultural Guidance: A Speech on the 12th National Summit Forum of Directors from Colleges of Art【Zhong Chengxiang】
Taoism Music Thinking and theQinMusic of Intellectuals【Wang Jian】
The Contemporary Communication State of Uyghur Muqam【Wang Jianchao; Shan Xiaojie】
The Influence of Salt Culture in Hedong District on Local Music Culture【Zhao Ting】
Hengshan Shadow Play and Its Musical Inheritance【Xiao Yan】
Esthetic Meaning ofQinMusic in the Wei and Jin Dynasties 【Xia Yu】
Developmental Suggestions for the TV Program“Follow Me”on CCTV-11and Prospect of TV Columns on Traditional Opera Knowledge【Li Yijie】
Charity Performances for“Flood in Xuzhou and Haizhou Areas”Relief in the South and the North Simultaneously in 1900s【Guo Changying; Jiang Zehang】
On Using Humanistic Spirit to Guide Aesthetics and Communication of Music【Lin Ping】
Thinking on the Joint Development of Music Academic Periodicals and Research: Starting from the Publishing of the Periodical YuefuXinsheng in 2016【Jiang Nan】
Communication Features of Chinese Music Periodicals in Various Periods【Wei Jie】
The Enlightenment of Artistry Inheritance in the MovieBainiao Chaofeng on Contemporary National Wind Music Teaching【Jiang Ling】
Exploration of Teaching and Evaluation of the Course“Movie & TV Soundtrack Edit”: Taking Its Practice in Communication University of China for Example【Liu Xiaofei】
The Application ofErhuMusic Elements in Popular Music Composition: TakingJiangheshui and Saima for Example【Shi Yong】
The Communication of Chinese Popular Music and the Trend of Fusion of Tradition & Modernity【Yang Chen】
Composing Features and Influence of Popular Songs by Weng Qingxi【Sun Yongdan; Guo Peng】
Exploration and Experience of Chorus Teaching in Local Colleges outside Beijing: Taking Traditional Song Chorus of Shanxi Province in Shanxi University for Example【Wang Sheng】
Present State, Thinking and Countermeasures about Students’Artistic Associations in Higher Vocational Colleges【Zou Jing】
Disadvantages in Compositions of Contemporary Electronic Music【Zhang Xiaoen】
Concept, Sources and Features of Interactive Electro-Acoustic Music【Xue Yan】
An Overview of Crowdfunding Model in Music Culture Industry【Lu Lihua】
Observation of Music Communication Phenomenon in Contemporary Internet Microblog【Liu Jiamao】
Discussion on Nationality and Internationality of Music【Kuang Yage】
Opportunity and Challenge to Popular Music Communication under the Circumstances of New Media【Ren Zengji】
Connotation, Form and Trend of Public Music Art【Liu Yupin】
The Breakthrough of Audio-video Publishing Industry Mode: Taking the Omnimedia Pilot Project in Audio & Video Publishing Company of China Federation of Literary and Art Circles for Example【Cao Junjun】
Constitutional Relation among Signifier, Signified and Means of Popular Music Symbols【Wang Yue】
Communication Features of Popular Music under the Circumstances of Streaming Media【Xie Haichao】