编委名单

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  • 本刊特稿

    新时代文艺繁荣的理论纲领和行动指南――在长安文艺论坛上的发言  仲呈祥

    传统音乐文化传播研究

    “原生态”民歌与“新生态”民歌的区别、关系与互动 杨瑞庆
    温州民歌《对鸟》演唱版本比较及其传播与传承――从“原生态”到新媒体形式 李芙
    对古筝艺术崇尚“逸”的探索 贾阳果
    广西那坡县瑶族“庆丰节”音乐及其当代传播思考 李常新、欧阳艳
    清宫弋腔戏《清平见喜・和合呈祥》的曲腔形态 周丹

    音乐文化产业

    流行音乐节的管理与运营 汪月波
    音乐文化产业中的“众筹”现象分析 卢丽华
    历届“长江钢琴音乐节”比较研究 王传历
    影视配乐作曲家的合理商业发展模式探讨――兼以作曲家汉斯・季默为参考 王灏博
    音乐类综艺节目对音乐文化产业的推动 陈婉乔

    社会音乐文化建设

    新媒体时代与中国传统音乐传播问题 袁�、杨青
    关于大众传媒音乐历史的几点思考 裴小松

    音乐编辑出版研究

    音乐期刊《江苏音乐》的历史意义 冯玲、黄德俊、於骏洁

    音乐科技与创作

    虚拟现实技术在电子音乐创作中的应用及其前景 李可
    音乐专业学生的抑郁质心理状态研究 白夜

    广播电视音乐研究

    综艺节目背景音乐及其功能分类和常用编配思路 王艳锋
    “和诗以歌”对传统文化节目的创新启示――以央视《经典咏流传》节目为例 董燕娜

    学术观点评述

    《双重乐感的理论与实践》读后的几点思考 张铭
    古代国家制度视域下的“曲子”研究新路向――郭威著《曲子的发生学意义》评述 常江涛
    文化和流行音乐的交融――简析中译本《流行音乐与文化关键词》 魏云洁

    流行音乐文化

    当代互联网“微博”中的音乐传播机制研究 刘家懋
    “古风音乐”歌词中的文化符号解读 叶舒阳

    音乐传播观察论坛

    民族歌剧音乐创作的生存境遇及健康发展 王亚辉
    基于电子游戏节奏的游戏音乐简析 赵锟
    从陈怡的作品里谈创作――由“民族民间”走进“国际主流” 张燕

    彩 页

    《音乐传播》创办十周年回眸(一)
    《音乐传播》创办十周年回眸(二)

    Contents

    Theoretical and Practical Guideline of Literature and Art Cause: Speech on the 2nd Chang’an Forum of Chinese Literature and Art【Zhong Chengxiang】
    The Differences,Relationship and Interaction between Original Traditional Songs and New-developed Traditional Songs【Yang Ruiqing】
    Interpretation Versions’Comparison of the Traditional Song Duiniao of Wenzhou City and its Communication and Inheritance: From Original Traditional Form to New-media Form【Li Fu】
    Analysis of the Preference of Reclusion Sentiment in Zheng’s Art【Jia Yangguo】
    Music of Harvest Festival of Yao Minority in Napo County of Guangxi and Thinking on Its Contemporary Communication【Li Changxin;Ouyang Yan】
    Forms of Music and Tunes of Yiyang Tune Piece Qingpingjianxi-Hehechengxiang in the Palace of Qing Dynasty【Zhou Dan】
    Management and Operation of Popular Music Festival【Wang Yuebo】
    Analysis of the Phenomenon of Crowd Funding in Music Culture Industry【Lu Lihua】
    A Comparative Research on Successive Changjiang Piano Festivals【Wang Chuanli】
    Exploration of Reasonable Commercial Development Model of Film and Television Music Composers: Taking Hans Zimmer for Example【Wang Haobo】
    The Impulse of Music Variety Show on Music Culture Industry【Chen Wanqiao】
    New Media Age and Problems & Thinking on Traditional Chinese Music Communication【Yuan Yue;Yang Qing】
    Thinking on Public Communication Music【Pei Xiaosong】
    Historical Significance of the Periodical Jiangsu Yinyue【Feng Ling;Huang Dejun;Yu Junjie】
    The Application of VR Technique in Electronic Music Composition and Its Prospect【Li Ke】
    Research on Psychological State of Music Majors with Melancholic Temperament and Suggestions【Bai Ye】
    Functional Classification and Selecting Routines of Background Music in Variety Show【Wang Yanfeng】
    Enlightenment of Accompanying Poems with Songs on the Innovation in Programs of Traditional Culture: Taking the CCTV Program Everlasting Classics for Example【Dong Yanna】
    Thinking after Reading Shuangchong Yeugan de Lilun yu Shijian【Zhang Ming】
    A New Research Orientation of Quzi under the Perspective of Ancient National Institutions: A Review of Quzi de Fashengxue Yiyi by Guo Wei【Chang Jiangtao】
    Fusion of Culture and Popular Music: A Brief Analysis on the Chinese Translation of Key Terms in Popular Music and Culture【Wei Yunjie】
    Research on Music Communication Mechanism in Contemporary Internet Microblog【Liu Jiamao】
    Interpretation of Cultural Symbols in the Lyrics of Antique Music【Ye Shuyang】
    The Existence Circumstances and Healthy Development of Chinese National Opera【Wang Yahui】
    A Brief Analysis of Game Music Based on the Rhythm of Electronic Game【Zhao Kun】
    Discussion of Composition from Chen Yi’s Works: From“National Traditional”to “International Mainstream” 【Zhang Yan】


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