编委名单

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  • 本刊特稿

    “加强美育工作,很有必要”―― 学习《习近平给中央美术学院老教授的回信》笔记 仲呈祥

    音乐编辑出版研究

    抗日战争救亡歌曲的创作出版与传播陈洁
        《江苏音乐》歌曲栏目的历史魅力――《江苏音乐》期刊第二出版阶段的乐谱栏目分类研究曾遂今、冯玲、黄德俊、於骏洁

    传统音乐文化传播研究

    “青州挫琴”的存续与保护――基于文化传承视域下的考察张宗建、邢习娇
           河北深泽坠子戏考察报告及相关思考王鑫华、潘林紫
           “十二木卡姆”及其对地区经济发展和社会治理的价值奴尔麦麦提・依马木
           “哈密木卡姆”艺人及其传承现状满尔哈巴
           竹笛音乐在当代大众媒介环境中的继承与创新――以竹笛在“古风音乐”中的运用为例屠金梅、周航宇

    音乐传播史话

    南宋茶坊演艺市场的音乐生产及其文化特色钱慧
        《广西通志》(嘉庆版)中的少数民族音乐史料研究马卓周
        中国古代文人音乐与音乐文化发展张孟蕊
        抗战时期重庆的中外音乐交流活动探析胡雪丽、张倩

    广播电视音乐研究

    我国音乐类电视栏目的“复苏”与壮大――从20世纪70年代末到21世纪初冯亚
        音乐类综艺节目的互动创新实践探索――以湖南卫视《我想和你唱》为例吴娜

    影视音乐研究

    对全球化语境下中国电影音乐的思考苏海鸣
        贾樟柯电影作品中音乐元素的功能段文英

    音乐文化产业

    网络直播中的音乐版权问题研究赵世兰、张荧子暄
        “大众参与”在音乐产业中的发展历程韩飞雪
        “互联网+”环境下的音乐演艺市场观察与思考范雨歆

    音乐传播观察论坛

    通识教育体系中的高校交响乐课程建设吉也
        “民管音乐剧”《中国元气之八仙桌》述评凌晨
        二胡演奏与《溪山琴况》中的“弦、指、音、意”关系张雅洁
            数字音乐运营模式及特点周楠屿

    新书推介

    音乐神童加工厂 (华东师范大学出版社)

    彩 页

    《音乐传播》创办十周年回眸(三)
        《音乐传播》创办十周年回眸(四)    

    Main Contents

    Learning Notes on Xi Jinping’s Reply to Senior Professors of Central Academy of Fine Arts【Zhong Chengxiang】
    The Creation,Publication and Dissemination of Anti-Japanese Songs from 1931 to 1945 【Chen Jie】
    The Historical Charm of the Song Columns of Jiangsu Music :Research on the Classification ofMusic Score Columns in the Second Publishing Stage of Jiangsu Music Periodical【Zeng Suijin;Feng Ling;Huang Dejun;Yu Junjie】
    The Existence and Protection of“Qingzhou Cuoqin”:Based on the Cultural Heritage Perspective【Zhang Zongjian;Xing Xijiao】
    Investigation Report and Relevant Thinking on“Shenze Zhuizi”Opera in Hebei【Wang Xinhua;Pan Linzi】
    “Twelve Muqam”and Its Value to Regional Economic Development and Social Governance【Nu’ermaimaiti Yimamu】
    “Hami Muqam”Artists and Their Inheritance Status 【Man’erhaba】
    Inheritance and Innovation of Bamboo Flute Music in Contemporary Mass Media:Taking theApplication of Bamboo Flute in“Gufeng Music”as an Example 【Tu Jinmei;Zhou Hangyu】
    Music Production and Its Cultural Features of the Performing Arts Market in the Teahouses inSouthern Song Dynasty 【Qian Hui】
    A Study on the Historical Materials of Ethnic Minority Music in“Guangxi Tongzhi (Jiaqing Edition)”【Ma Zhuozhou】
    The Music of Ancient Chinese Intellectuals and the Development of Music Culture【Zhang Mengrui】
    Communication between Chinese and Foreign Music in Chongqing during the Anti-Japanese War【Hu Xueli;Zhang Qian】
    The Recovery and Growth of China’s Music TV Columns 【Feng Ya】
    Practical Exploration of Interactive Innovation on Musical Variety Show:TakingHunan TV’s Program Come Sing With Me as an Example 【Wu Na】
    The Characteristics of Chinese Film Music in the Context of Globalization 【Su Haiming】
    The Function of Musical Elements in Jia Zhangke’s Films 【Duan Wenying】
    Research on Music Copyright in Network Broadcast 【Zhao Shilan;Zhang Yingzixuan】
    The Development of“Mass Participation”in Music Industry 【Han Feixue】
    Research on Music Performance Market under the Environment of“Internet+” 【Fan Yuxin】
    The Exploration on the Construction Path of Symphony Curriculum in Universities:In the View of General Education 【Ji Ye】
    Commentary on the National Wind Musical Drama Eight Immortals Table 【Ling Chen】
    The Relationship between“String, Finger, Sound and Meaning”in the Book Xi ShanQin Kuang:Taking Erhu as an Example 【Zhang Yajie】
    The Predicament and Countermeasures of Popular Music Communication underthe Background of Webcast 【Sun Yating】
    Operation Mode and Characteristics of Digital Music 【Zhou Nanyu】



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